The Russian Government is being challenged with the rule of law, United States Bankruptcy Code style.
In a stunning development, embattled Russian oil giant Yukos has filed a chapter 11 case in Houston late Tuesday and requested a temporary restraining order against the Russian government’s auction of its main production unit that is currently scheduled for this Sunday.
H’mm. How would you like to try and enforce that TRO?
Here are earlier posts on the problems that Yukos has been experiencing with the Russian government. On one hand, Yukos’ defenders claim that the Russian government’s campaign against Yukos and its owners — particularly jailed CEO Mikhail Khodorkovsky — is an effort to silence political opposition to Russian president Vladimir Putin, while Putin and his supporters claim that the government is simply cracking down on Yukos because of shady bookkeeping and corruption. Mr. Khodorkovsky has been in jail over a year and is currently being tried in Russia on charges of fraud and tax evasion.
Russian tax authorities claim that Yukos owes the government a total of $27.8 billion in unpaid taxes, so the government is auctioning Yukos’ subsidiary Yuganskneftegaz (how’s that for mouthfu?) — which produces about 60% of Yukos’ oil production — on Sunday to pay at least a portion of the indebtedness. Yukos supporters contend that the government auction is a sham that is intended to transfer the unit to a government favored company such as state gas giant Gazprom. The starting price for the auction is $8.6 billion.
In its initial chapter 11 pleadings, Yukos claimed that its total assets are worth approximately $12.25 billion and that its total debts were about $30.75 billion.
The case information for the chapter 11 case is case no. 04-47742, Yukos Oil Company, Debtor and is pending before U.S. Bankruptcy Judge Letitia Z. Clark. A hearing on Yukos’ request for the temporary restraining order is scheduled for 11:15 a.m. this morning in Houston. Zack Clement of Fulbright & Jaworski is representing Yukos.
Daily Archives: December 15, 2004
Thinking about football statistics
While Bill James and his Sabermetrian disciples revolutionized analysis of baseball over the past generation, no similar movement took place in regard to analysis of football. However, as this NY Times article reports, football at the highest levels is increasingly embracing Sabermetric principles:
Now the sabermetric revolution may be gaining a toehold in football as well. And here too the center of the revolution can be found in Massachusetts, where Coach Bill Belichick has led the New England Patriots to victories in two of the last three Super Bowls.
Belichick is known for his unorthodox strategies: being more willing than most to not punt on fourth down; running the ball far more than average in certain crucial situations; and eschewing two-point-conversion attempts in situations when orthodox doctrine recommends them.
Not coincidentally, experts in the world of football statistical analysis endorse all these strategies. For example, David Romer, an economist at the University of California at Berkeley, published a working paper arguing that conventional football wisdom led to far too much punting. Romer analyzed thousands of plays and calculated the chance of scoring from any position on the field. Based on that, he gauged the relative worth of the field position gained by punting against the lost opportunity to score. Romer found that football coaches punt far more than they ought to — perhaps acting out of fear of the worst outcome (going for it on fourth down and failing), rather than rationally balancing risk and reward.
Romer’s paper, “It’s Fourth Down and What Does the Bellman Equation Say? A Dynamic Programming Analysis of Football Strategy,” is far from light reading, so it came as a shock to Romer when he learned that Belichick, who was an economics major at Wesleyan University, had read it.
The main thrust in football statistical analysis is the development of a metric known as “defense-adjusted value over average,” or “DVOA.” The statistic takes into account that not all yards gained in football are created equal. For example, gaining 5 yards on third down and 4 is more beneficial, on average, than gaining eight yards on third and 10. Aaron Schatz over at FootballOutsiders.com is doing the best analysis with DVOA:
Just as it is in baseball sabermetrics, context is crucial to Schatz’s analysis. Schatz rates every play a team runs by comparing it with the league average performance for plays in as close to that situation as possible. In Schatz’s analysis, the relative success of a play is determined by, among other things, the down and distance, the current score, the field position and the opponent’s strength. DVOA, in short, is an attempt to create a tool of analysis for football similar to such Jamesian baseball statistics as offensive winning percentage, runs created and OPS (on-base percentage plus slugging percentage).
Meanwhile, the lack of refined football statistics obscures just how phenomenal a season Peyton Manning this seasons. Although Manning has received a fair amount of publicity over the fact that he will break Dan Marino‘s record of 48 touchdown passes in a season, Allen St. John in this Wall Street Journal ($) piece observes that Mannings’ excellence is better reflected by another key passing statistic — yards per pass:
For pro quarterbacks there’s no statistical Holy Grail. The conventional milestones Mr. Manning is approaching don’t quite resonate. We have developed a benchmark of our own that should make watching the rest of Mr. Manning’s historical season all the more compelling.
10 Yards per Attempt: What’s the essence of football? Almost every time the referee spots the ball on first down, a team has one goal — move the ball 10 yards and earn another set of downs. In a game of variables, it’s the one near-universal. By the Numbers has long touted YPA as the game’s most revealing passing stat because it factors in all the qualities that a great quarterback needs. Accuracy is important, but so is the ability to go deep.
And 10 yards per attempt is near perfection. It means that almost every time a quarterback throws, the linesmen move the chains. And while it’s been achieved in the past by greats like Sid Luckman and Otto Graham, it’s a goal that has become elusive in the modern NFL. Mr. Manning’s YPA of 9.41 is the best single-season mark of any post-merger quarterback with more than 350 attempts in a season. Indeed, just topping nine yards per toss puts Mr. Manning in some pretty heady company. Only four other post-merger QBs have been able to top nine yards per throw for a full season, and three of them made the Super Bowl in the year they did it.
The three Super Bowl QB’s who topped nine yards per pass were Marino, Joe Montana, and Boomer Esaison. Who was the other quarterback who averaged more than nine yards per pass in a season?
Lynn Dickey of the Packers in 1983!
A Fight at the Opera
Herbert Breslin became master tenor Luciano Pavarotti‘s publicist in 1967 and ultimately dumped Placido Domingo from his client list so that he could become Pavarotti’s manager. He lasted as Pavarotti’s manager for 35 years.
However, now Mr. Breslin is Mr. Pavarotti’s ex-manager, and he has written a book about Pavarotti that is the subject of this hilarious NY Times Book Review by Jane and Michael Stein. Here are a couple of delicious snippets:
As Pavarotti got bigger in every way, Breslin’s adoration shrank. By the time of the Three Tenors, a pop phenomenon engineered not by Breslin but by the impresario Tibor Rudas, Breslin was miserable. “A big, big, big mistake” is how he describes Pavarotti’s original deal to sing with Placido Domingo and Jose Carreras for charity, lamenting that “Once, I had been Luciano’s creator. . . . Now I had been reduced to his foil. My role was to act as a buffer and, most important, to get him more money.” Finally he bemoans that “managing an artist can be like serving a life sentence in Alcatraz.”
And what of Pavarotti’s legendary appetite?:
Gluttony is a big theme in Breslin’s demystification. “It’s not just that he likes to eat,” he snipes. “He loves to smell food, to touch food, to prepare food, to think about food, to talk about food. When he comes into a room, he begins sniffing like a dog, and his first question is, ‘What smells so good?'” We are treated to scenes of him using a tablespoon to gobble up caviar to the point of nausea and of his “swaying belly flowing over the edge of the chaise longue.”
Not only is Pavarotti a pig, but he has bad taste, and his house in Modena “looks like something on Queens Boulevard, crammed with trinkets, tchotchkes, anything and everything.” When Pavarotti falls in love with the decor of his suite at Caesars Palace in Las Vegas, he makes Breslin buy all the furniture, drapes and bedspread, and ship it to Modena. “It looks like a big blood clot,” Breslin observes.
Read the entire review. What a hoot!
“Million Dollar Baby”
Clint Eastwood’s new movie is getting rave reviews. Here is the NY Times review and Roger Ebert’s is here.