When he learned in 1995 that he had Alzheimerís disease, William Utermohlen, an American artist based in London, began his final project — drawing self-portraits during his descent into dementia and ultimately Alzheimer’s. This NY Times article reports that Utermohlen’s work is being exhibited this week by the Alzheimer’s Association at the New York Academy of Medicine in Manhattan:

The paintings starkly reveal the artistís descent into dementia, as his world began to tilt, perspectives flattened and details melted away. His wife and his doctors said he seemed aware at times that technical flaws had crept into his work, but he could not figure out how to correct them.
ìThe spatial sense kept slipping, and I think he knew,î Professor [Patricia] Utermohlen [William Utermohlen’s wife] said. A psychoanalyst wrote that the paintings depicted sadness, anxiety, resignation and feelings of feebleness and shame. [. . .]
Mr. Utermohlen, 73, is now in a nursing home. He no longer paints.
His work has been exhibited in several cities, and more shows are planned. The interest in his paintings as a chronicle of illness is bittersweet, his wife said, because it has outstripped the recognition he received even at the height of his career.

Colleen Carroll Campbell, who has written extensively about Alzheimer’s, observes that the disease “embodies everything we fear most about aging — weakness and dependence, humiliation and oblivion.” Nearly half of Americans over the age of 35 know someone personally who is at some stage of dementia, and as Americans are living longer, Alzheimer’s is claiming more victims. About 4.5 million Americans suffer from Alzheimer’s today, which is more than double the number who had the disease just 25 years ago. Utermohlen’s paintings provide us with an important perspective on this insidious disease as we confront the difficult issues that result from it.